On Writing​, Stephen King

"What follows is an attempt to put down, briefly and simply, how I came to the craft, what I know about it now, and how it's done. It's about the day job; it's about the language."

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"I believe large numbers of people have at least some talent as writers and storytellers, and that those talents can be strengthened and sharpened. If I didn't believe that, writing a book like this would be a waste of time." p. 18

"But TV came relatively late to the King household, and I'm glad. I am, when you stop to think of it, a member of a fairly select group: the final handful of American novelists who learned to read and write before they learned to eat a daily helping of video bullshit." p. 34

"Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up." p. 37

"Gould said something else that was interesting on the day I turned in my first two pieces: write with the door closed, rewrite with the door open. Your stuff starts out being just for you, in other words, but then it goes out." p. 59

"It's been almost twelve years since I took a drink, and I'm still struck by disbelief when I see someone in a restaurant with a half-finished glass of wine near at hand. I want to get up, go over, and yell "Finish that! Why don't you finish that?" into his or her face. I found the idea of social drinking ludicrous--if you didn't want to get drunk, why not just have a Coke?" p. 95

"But it's writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else." p. 107

"One of the really bad things you can do to your writing is to dress up the vocabulary, looking for long words because you're maybe a little bit ashamed of your short ones. This is like dressing up a household pet in evening clothes. The pet is embarrassed and the person who committed this act of premeditated cuteness should be even more embarrassed." p. 117

"Writing is at its best--always, always, always--when it is a kind of inspired play for the writer. I can write in cold blood if I have to, but I like it best when it's fresh and almost too hot to handle." p. 153

"Writing isn't about making money, getting famous, getting dates, getting laid, or making friends. In the end, it's about enriching the lives of those who will read your work, and enriching your own life, as well." p. 269

"Some of this book--perhaps too much--has been about how I learned to do it. Much of it has been about how you can do it better. The rest of it--and perhaps the best of it--is a permission slip: you can, you should, and if you're brave enough to start, you will." p. 270